After years of waiting, the Fuji X-Pro2 is finally shipping. I have been shooting with a pre-production unit since October, and have a pretty good feel for its strengths and weaknesses.
Last week on Twitter I held an AMA (Ask Me Anything) about the new flagship camera. Scroll down for your questions — all of them, edited only for clarity — and my answers. If you’re on the fence, hope it helps.
Up for a quick shot of knowledge, with an order of motivation on the side?
Take a few minutes to watch this interview with photographer Alexis Cuarezma, a sports portrait specialist based in San Francisco and LA.
This On Assignment is a bit of a two-fer. On the one hand, it’s a quick BTS on a one-light macro shot (seen above) for Fujifilm Japan with the new X-Pro 2.
But it’s also a look into just how a flagship camera like the X-Pro 2 comes to be.
Strobist reader Mans Duffani reached out via Twitter to show off a photo (above) and ask how it could have been done better.
It’s a lovely and storytelling portrait, which he shot of a relative who he noticed at a family event. I would have loved to have made the photo myself. That said, there’s one suggestion that really jumps out at me…
Look closely: that’s not a photo. It’s an oil painting. Through Strobist’s sister site, Photographer’s Oil Collective, any photographer can produce museum-quality oil paintings of this caliber—either for themselves or for their clients.
If you are remodeling a room, a few key decisions can make a lot of difference going forward. The shot above, for instance, is available light. If it looks like I put up a soft box, that’s because I kinda did—two years earlier when we remodeled the room.
Inside, some quick thoughts on how to think like a photographer when you design the ambient lighting for a room.
American photographer and research scientist Jonny Armstrong combines camera geekery, speedlights and his outdoor skills to make evocative portraits of wild animals in their natural habitats.
Reader Alison Carlino asks, via Twitter:
“How could I light posed formals in front of tank w/no umbrella reflection showing?”
Long forgotten in the age of TTL, this post explains how to use your flash’s “automatic” mode.
This photo is 100% flash, 0% ambient. But it almost looks like the reverse. And for this portrait of soprano Robin Steitz, a timeless available-light look was what we were going for.
But when you are working with flash (a single speedlight) and controlling your light (a scrounged “fill blanket” from the couch) you can keep the best of both worlds of strobe and ambient.
I seldom review gadgets these days, but sometimes something is so useful that it’s worth telling people about. Such is the case with the SD card-enabled Western Digital My Passport Wireless hard drive.
So the UPS guy just dropped your very first lighting kit at your front door. WHAT DO YOU DO NOW?
A cool little trick that forever changed the way I photograph dancers.
In which we travel to London to serve as a lighting tech for a documentary. Our goal? Lighting for a photographic reproduction of the Mona Lisa.
Such a simple idea, and not so difficult to do—unless you count all of the self-inspection it will require. Iranian-born (now in Dubai) photographer Atbin Eslami’s video-bio of herself first made me think, “that’s really cool.”
And second, “Why haven’t I done that?”
Who needs a studio when you have a bridge abutment? Today, we’ll explore a few of its facades while making an actor’s portrait.
Little? Big? Aluminum? Carbon fiber? New? Used?
Three legs, many choices.
Full walk-through: Using a leaf shutter and two battery-powered monoblocs to bend the sun to your will.
Racing against encroaching dark and a string of thunderstorms to photograph a super-expensive cello with a super-cheap plastic lens….
How I spent my year: traveling around the world for Lynda.com, to help you get the most out of your next trip…
Whether you have one light, two lights, three lights or four, here are some tips on how to best put them to use when photographing indoor sports.
World-famous portraitist Dan Winters uncorks an epic tome that will serve as a road map for many an aspiring photographer.
Just what the headline says—yes, you can get perfect coverage for your beauty dish with just a small strip gel.
Go behind the scenes with music photographer Loren Wohl to see how his beautifully backlit images were created.
We All Screw Up. Don’t Worry About It.
Think you’re the only one who uncorks the occasional burst of idiocy? Well then let me tell you a little story…
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